Some stuff from last week I thought you mind find interesting.  Would love to hear your thoughts in the comments..

iPlayer: Laughing Len/Psychoville

BBC4 had a Leonard Cohen night on last Friday, if you can access iPlayer (UK peeps only I believe) then you can still catch the ace 1973 documentary Songs From a Life in which he looks very much like the young Dustin Hoffman and smokes like a trooper, and which also features stunning live footage of the likes of Suzanne and Hallelujah. There’s also a recording of one of the London shows from his 2008 “comeback” tour, where he is still in fine voice if a little less unpredictable than he was in the earlier footage. I think there was another programme too about his fans but I couldn’t find that on the iPlayer.

Also, the folks behind the legendary League of Gentlemen have a new show called Psychoville – which is pretty much the same,albeit not based in Royston Vasey – with lots of nasty characters and grimness, but with some nice original twists as you’d expect (cheers to Iain and Stu for the tip).

Journalism/Twitter/Iran

Though a seeming endless round of lay-offs would suggest otherwise, the gravitas-oozing patriarchal figure of Channel 4 News Jon Snow reckons now is the most exciting time to be a journalist. Turns out he never trained to be one originally, but is now all over that social media like it was Jeremy Paxman’s wage slip – you can even follow the silver-haired old newshound on Twitter (if you’re into that sort of thing).

Of course the newspapers have stopped deriding Twitter for a while due to the fact that it was used by Iranians to spread information about the protests there, and the website delayed scheduled maintenance work to allow for this at a crucial time.  According to Tech Crunch a former Bush advisor has even called for the website’s founders to be given the nobel peace prize.

But Tech Crunch say such blatant political bias has forced the founders to deny that they are in fact a “covert government agency”. Scary to think that every time you are answering the seemingly innocent question “what you are doing?” into Twitter it could be a very clever, voluntary govt surveillance system.

Also, as a warning to corporate arsemonkeys everywhere, in an example of inexplicably dumb #marketingfail, Habitat got it badly wrong with their hashtags.

And that brief mention of marketing allows me to lead smoothly on to the above video that the undisputed blogging guru of that field Seth Godin posted, which is hilarious whether or not you agree with the point he’s making (and it reminds me of the Found video I posted a wee while ago).

Coming next: Yes it’s the bloody iPhone again, but could it be my last word on the subject?

Image of abandoned Wire soundstage by Hoodwatch (warning:clicking through may lead to spoilers)

I have now watched all 5 series of The Wire. If you haven’t seen it yet, you’ve probably heard someone banging on about how great it is by now, and with good reason – it is, in my humble opinion, the best TV drama of all time.

When I was told about it last year by my friends Bernie and Cat, I was intrigued, and when Bernie declared that it was possibly better than The Sopranos, of which I was a huge fan from Day One, I knew I had to watch it and judge for myself.

So on their recommendation I purchased the first series and myself and my better half Mel have religiously watched the entire thing over the last 6 months or so – making sure to take our time and savour every episode and season, knowing that eventually it would all be over – and alas, that day has come.

Now in my opinion the first series of The Sopranos is close to perfection, with its scenario of a powerful matriarch, Tony’s mother, subtly undermining her own son’s efforts to run a major New Jersey crime family, based on creator David Chase’s own relationship with his mother. But later series, though still excellently written, acted and filmed, never quite lived up to its potential (partly due to the death of the actress who played the mother Livia Soprano, and thus removing the crux of the idea).

Too many opportunities for exciting conflict were dodged, seemingly in the name of being unpredictable, but in retrospect many of them seemed a cowardly way of extending the lives of the main characters. And that last episode whilst it wasn’t as awful as some made out – well it was more a whimpering dog going off to die under a car than an explosive finale.

But whilst it was obvious from the very start that The Sopranos had an original concept and style, on first viewing The Wire Episode 1, you’d be forgiven for thinking it was just another bland TV cop show. In fact if you tuned into a random episode of it on the FX channel, a tiny cable channel which hardly anyone watches that is the only UK channel to show the series so far, you’d be forgiven for asking ‘what’s the fuss all about?’

That’s because The Wire is all about the details and the subtleties that are only apparent to the most attentive viewers. So much so that creator David Simon explained to thingy on the Culture Show that his approach was “fuck the casual viewer”. I can’t remember another show where it was quite so vitally important to watch it with your full attention. The sheer breadth of characters over the course of the 5 series, most of whom reappear each series, led to a complexity rarely seen on TV. And though each season deals in part with different characters and topics, and not all of the five seasons were equally great, these were masterfully crafted plots that never gave you that ‘making it up as they go along’ feel of most TV dramas, or the ‘predictably formulaic’ nature of most cop shows. Far from it..

If you haven’t seen The Wire all 5 seasons are coming to BBC2 soon.

Next: What makes The Wire so frigging great anyway?

the sopranos, uncensored. from victor solomon on Vimeo.

every single curse, from every single episode of the sopranos, ever.