Despite what seems to be a physical inability to get to gigs these days, and a feeling of general malaise as I ponder exactly what I’m doing with my life (once again), I have just about managed to pull together the latest podcast which also features an interview with Nick Mitchell on his trip to the Primavera Festival in Barcelona.

Nick is a friend of mine who writes for The Skinny and The Scotsman’s Under The Radar Blog and who often comments on this blog (for which I am grateful!) Apologies to him and to you, dear listeners, for the awful sound quality of the telephone call, note to self MUST CHECK LEVELS IN FUTURE.

You can read his full review of Primavera over at The Skinny, and this podcast should also appear there soon.

I Hear a New World June 2009 

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Malcolm Middleton – Carry Me 

Malcolm is back – and his latest solo album will be his last under his own name for a while. Here he alternates spoken word musings about lycra and ‘superpowers in the post’ with heart-tugging choruses about death and that. It’s lifted to the heights of a gospel hymn to heartache with the aid of backing vocals from King Creosote and The Pictish Trail doing their best Pepsi & Shirley impression (in the words of Malcy himself). It’s a cry for help that can’t help but make you cry. I weep, and a single tear falls into my glass of Carlsberg, increasing the alcohol content by 100%. Don’t leave us Malcolm.

Ambulances - How Could You Leave Me

Get your tie-die dress on and skip bare-foot down to the river, light up a giant spliff (if you like that sort of thing – or a nice cup of camomile tea if you don’t) and realise that retro-tinged isn’t always a bad thing. Ambulances new album The Future That Was is pure joy from start to finish and How Could You Leave Me is a laid-back love-in that will make dreamers out of over-achievers. Is it really possible for another excellent band to come frae Fife? Apparently so.

The Foundling Wheel – Mixed Minds and Missteps

Our own Billy Hamilton gave the Foundling Wheel’s album a thumbs up last year. It took me this long to give it a listen. Once again, I need to slap myself on my big old forehead, and this is the perfect soundtrack for such self-flagellation. It’s beepy, it’s insane, it’s shouty. It’s angry but clever. It makes me want to drive a motorcycle the wrong way down the motorway. Naked.

Zoey Van Goey – We Don’t Have That Kind of Bread

It was falsely claimed that Bobby McFerrin took his own life because no-one believed he was quite as happy as he made out. But if you could record grammy award winning, multi-million dollar earning tracks merely by slapping your own body parts you’d be just as bloody ecstatic. The Glasgow-based popsters Zoey Van Goey attempt just that with this cheery number, which I have scientifically calculated using the ‘don’t worry be happy’ algorithm to be the exact musical opposite of Malcolm Middleton. Thus balancing our audio chi for another monthly podcast extravaganza. See you next time!

Photo by Alison H (more at flickr)

“I wouldn’t want to belong to any club that would have me as a member” Groucho Marx

Even though hipster’s fave Bon Iver is appearing up the road at
the Queen’s Hall, there are lengthy queues outside The Caves for
tonight’s Fence Club and a few unlucky souls are turned away due to a
last-minute sell-out. The subterranean den is absolutely rammed both
with the Fence faithful and a large contingent of curious newbies. It’s
a spacious venue, but unfortunately the layout makes it difficult for
everyone present to get a clear view of the stage.

The
performances and friendly atmosphere though, more than make up for the
squeeze. Things kick off with alarming speed with  a tantalisingly
brief joint set by The Pictish Trail and Rozi Plain and a well-received
guest spot from fence affiliate Malcolm Middleton. The main event
though is undoubtedly James Yorkston and the Athletes. Something about
the quiet confidence of Yorkston’s voice is enough to send a hush
throughout the venue for at least a few moments, before the drunken
rabble who can’t get close to the stage drift back into conversation. 
But those of us who continue to pay attention are rewarded with
luscious live versions of tracks from his new album such as Tortoise
Regrets Hare and the title track When the Haar Rolls In plus some well
chosen gems from his back catalogue including the gorgeous I Awoke. The
set highlight was probably his epic cover of Lal Waterson’s Midnight
Feast, with trusty henchmen King Creosote and The Pictish Trail giving
it laldy on backing vocals.

Creosote then tied things up
with an eclectic DJ set that made a pleasant backdrop to some last
minute boozing and bonding, before he and Yorkston drove off into the
night in a car held together with some sticky tape. And with an exclusive piece of vinyl on the way out, this is one club that
even Groucho Marx would have wanted to be a member of.

Published by The Skinny

Malcolm Middleton is infamous for being a bit of a dour bugger. As if
it wasn’t enough being one half of the now defunct Arab Strap -
perennially described by the media as Falkirk miserablists (despite
being one of Scotland’s most original and important contemporary bands)
- his first two solo albums were full of heartbreaking songs of
depression and self-loathing. Of course, as with Arab Strap, a dark,
elegant humour courses through the veins of these records and the
quality of his songwriting is up there with the likes of the similarly
misunderstood Leonard Cohen. After the first album steadily built a
reputation through word of mouth, the follow up, Into the Woods, was a
far greater commercial success, giving a financial boost to Glasgow’s
Chemikal Underground records.

Now, with Arab Strap’s recent
farewell gigs behind him, Middleton is about to release his third solo
album, A Brighter Beat, this time through Full Time Hobby. As well as a
cover photo by his pal David Shrigley – of a balloon face smiling at us
from under the bedcovers – it features his most uplifting and well
crafted collection of songs yet, with the addition of beautifully
arranged strings, horns, and synths to complement his already
accomplished guitar and piano based songs. Lyrically too, although the
same themes remain, there is a new sense of positivity. In fact, when
The Skinny dug deep into our Smash Hits annual to come up with some
classic posers for Malcy, he was only too happy to oblige.

Did you enjoy the final Arab Strap gigs?

“Yeah
it was good, it was a long tour but it was a bit strange towards the
end cos I was a bit unsure how I was going to be feeling when the last
chords struck out – but we’ve done the right thing. With hindsight I
would have left a bit more space between that and the new album – it’s
a bit weird finishing that tour and going straight into doing my own
stuff.”

Are you pleased with the new album?

“Yes I am. I
finished it in October and for the first couple of weeks I couldn’t
decide if it was better than my last album or not but that was just
because I’d spend so much time recording it. But I listened to the
album again after Arab Strap finished and now I’m really proud of it.
Tony Doogan was amazing, it was the first time I’d worked with a
producer and it was good for me, he basically brought a lot to the
overall production.”

Did you have an aim in mind before you started recording?

“Musically
I wanted it to sound bigger and better produced because although Into
The Woods was a good, fun record, some of it was recorded in the house
on a computer and then just mixed in a proper studio. This time I
wanted to start off in a proper studio and song-wise I didn’t want to
be so miserable. At the same time I’m aware that the only stuff I write
about is along those lines – depression, or anxiety about stuff, or
just general day-to-day shite. But I wanted to make that a bit more
palatable, and I think the record’s got a lot more hope than the last
album, it’s not as self-flagellating.”

Is it important for songwriters to acknowledge their darker sides?

“I’m
not sure if it’s important for a songwriter to acknowledge it, it’s
just something I seem to be drawn to when I’m writing about stuff. One
of the elements of the last song on the album, ‘Superhero Songwriters’,
is the fact that my favourite singers and songwriters go through those
feelings and do the work so other people can listen to it and say
“that’s how I feel too” and be comforted by it.”

Which songwriters are you referring to?

“In that song I was talking about Jackson C. Frank – then there’s King Creosote, James Yorkston, people like that.”

You’ve
got a number of excellent Scottish musicians guesting on the album.
Jenny Reeve (Reindeer Section) in particular, sounds fantastic on the
song ‘Fight Like The Night’.

“I’d worked with Jenny before in
Arab Strap and stuff – we’re mates – she came in and I hadn’t really
heard her sing for a couple of years but she’s so confident now and her
voice is so strong it was amazing to hear.”

Where did Mogwai’s Barry Burns come in?

“Most
of the keyboard stuff is Barry, with the exception of a few bits I did
myself, but any stuff that sounds good or complicated is Barry! It’s
great because I think I’ve finished a song and I’ll get him in, he
writes the hook on top of the one that I had, and it blows it away.”

Songs like ‘Up Late All Night Again’ are surprisingly epic.

“That
song’s weird, it almost didn’t make the album cos I thought it was a
little too much like Keane. It’s quite a soft song, it’s quite
romantic, and there’s not the usual twist in it anywhere, but at the
end of the day, the message I wanted to give to a certain person is in
that song and so it went on – there’s nothing wrong with being nice…”

Don’t
worry, it doesn’t sound anything like Keane! Do you think you’ll ever
go back to more pared-back stuff like the brilliant ‘Cold Winter’ from
the first album?

“I wouldn’t want to go much further in terms of
bigger production, with full-scale orchestras and stuff, but having
listened to a lot of singer-songwriter stuff like Davy Graham and
Jackson C. Frank, I would like at some point to do an album that’s just
voice and guitar. ‘Somebody Loves You’ is kind of going in that way but
I’d need to write songs that hold up without any other instrumentation.”

What are your plans for touring the album?

“I’m
doing quite a bit; a couple of acoustic tours supporting a band called
Sophia in Europe and Badly Drawn Boy in the UK next month, then in
March I’m doing a UK tour with a full band. It’s going to be pretty
much everyone who was in Arab Strap’s last line-up, and Jenny’s going
to be there as well.”

How about the new song, ‘Fuck It, I Love You’ – were those words really sent on your mobile phone?

“It’s something that happened.”

Finally Malcolm, is it alright if I ask you some Smash Hits style questions?

“That’s fine- I used to buy Smash Hits every week.”

Which Pet Shop Boy do you prefer?

“The keyboard guy.”

What would you do if you were Prime Minister?

“Get rid of the Government.”

Have you ever belonged to a fanclub?

“No, but I almost joined the Frankie Goes to Hollywood one.”

If there was a sandwich named after you, what would the filling be?

“I’m going to play you at your own game here; Brighter Beatroot and Cheddar.”

Which celebrity/pop star do you fancy?

“Erm.. I don’t read the tabloids or anything… I’m gonnae have to go on fucking Google here… no – just put Karen Carpenter.”

Published by The Skinny Feb 2007